题李凝幽居
闲居少邻并，
草径入荒园。
鸟宿池边树，
僧敲月下门。
过桥分野色，
移石动云根。
暂去还来此，
幽期不负言。
A quiet place, few neighbors near,
A grassy path leads to a wild garden.
Birds roost on trees by the pool clear,
A monk knocks at the moonlit gate.
Crossing the bridge divides the scenery fair,
Moving stones stirs the cloud roots' state.
I'll leave but come again to share,
The hermit's vow I won't abate.
逐句注释
闲居少邻并，
首句写李凝幽居的环境，远离尘嚣，少有人家。'闲居'点出隐居之态，'少邻并'强调偏僻。
First line describes the hermitage's setting: secluded with few neighbors. 'Leisure dwelling' hints at reclusive life, 'few neighbors' stresses remoteness.
草径入荒园。
荒芜的小径通向荒废的园子，营造出幽静荒凉的氛围。'草径'与'荒园'呼应，暗含主人疏于打理。
A grassy path leads into an overgrown garden, creating a quiet, desolate atmosphere. 'Grassy path' and 'wild garden' echo, suggesting neglect.
鸟宿池边树，
以鸟归宿暗示天色已晚，池边树木为鸟儿栖息之地，画面宁静。'宿'字赋予动态之静。
Birds roosting in trees by the pool indicates dusk, a peaceful scene. The word 'roost' conveys stillness within motion.
僧敲月下门。
诗人以僧人身份敲门，月下敲门声打破寂静。此句因'推敲'典故闻名，'敲'字比'推'更显声响与雅致。
The poet, as a monk, knocks under moonlight; the sound breaks the silence. This line is famous for the 'push vs. knock' anecdote; 'knock' is more audible and refined than 'push'.
过桥分野色，
过桥后景色被划分，暗示桥两侧景致不同。'分野色'运用动词'分'，使静态景色动态化。
Crossing the bridge, the scenery divides, implying different views on either side. The verb 'divides' animates the static landscape.
移石动云根。
移动石块仿佛触动了云的根基，夸张手法，将山石与云气相连，富有想象力。'云根'指深山云起之处。
Moving stones seems to stir the roots of clouds—a hyperbole linking rocks and mist, imaginative. 'Cloud roots' refers to where clouds rise in deep mountains.
暂去还来此，
诗人暂时离去，但承诺还会再来。表达对幽居的留恋与归隐之志。
The poet leaves temporarily but vows to return, expressing attachment to the hermitage and intent to retire.
幽期不负言。
不辜负隐居的约定，即会如约再次隐居于此。'幽期'指隐逸之约，末句强化诚信与志向。
I won't break the hermit's vow—keeping the promise of reclusion. 'Hermit's vow' refers to the pledge of seclusion; the final line reinforces commitment and aspiration.
今日赏析
贾岛访友李凝不遇，见其幽居环境清幽有感而作。诗中'僧敲月下门'一句，曾因'推敲'二字反复斟酌成为文坛佳话。此诗通过对荒园、池树、月门等意象的描绘，展现隐逸生活的宁静与诗人对归隐的向往。
Jia Dao visited his friend Li Ning but missed him; inspired by the serene hermitage, he wrote this poem. The line 'a monk knocks at the moonlit gate' is famous for the poet's deliberation between 'push' and 'knock'—a literary legend. Through images of wild garden, poolside trees, and moonlit gate, the poem portrays the tranquility of reclusive life and the poet's longing for seclusion.
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