赠孟浩然
吾爱孟夫子，
风流天下闻。
红颜弃轩冕，
白首卧松云。
醉月频中圣，
迷花不事君。
高山安可仰，
徒此揖清芬。
I love Master Meng, the man so free,
Whose noble grace is known from sea to sea.
In youth he cast aside the cap and car,
In age he lies where pines and clouds are.
Beneath the moon he oft drinks sage's wine,
With flowers charmed, he leaves no king to pine.
How can I reach that mountain's lofty height?
I only bow before his fragrance bright.
逐句注释
吾爱孟夫子，
开篇直抒胸臆，以“吾爱”二字点明敬慕之情。“夫子”是对孟浩然的尊称，既显亲切，又见敬重；语气率真自然，体现李白赠友诗豪爽真挚的特点。
The poem opens with direct, heartfelt admiration: 'I love Master Meng.' The term '夫子' is a respectful address, both intimate and reverent, showing Li Bai's frank and sincere manner in poems to friends.
风流天下闻。
“风流”在此指人格风度、才情声望，并非轻浮之意；“天下闻”极言其名声广布。此句以夸张笔法总写孟浩然超逸不群的风度与诗名。
Here '风流' means noble bearing, talent, and reputation, not frivolity. 'Known throughout the world' uses hyperbole to sum up Meng Haoran's extraordinary grace and poetic fame.
红颜弃轩冕，
“红颜”指少壮之年；“轩冕”本指高车与礼冠，借代官爵禄位。“弃”字写出孟浩然年轻时便不慕荣利的抉择，以借代和对比突出其超脱。
'Red face' refers to youth; 'chariots and caps' stand by metonymy for official rank and salary. The word 'cast aside' shows Meng's early rejection of worldly gain, highlighting his detachment through metonymy and contrast.
白首卧松云，
“白首”与上句“红颜”对举，写其终老隐居；“卧松云”以松树、白云象征高洁清幽的隐逸生活。此句与上句构成时间上的对照，也形成工整对仗。
'White head' contrasts with 'red face' above, telling of his reclusion into old age. 'Lying among pines and clouds' uses pine and cloud imagery to symbolize a pure, serene life of withdrawal. The line parallels the previous one in time and structure.
醉月频中圣，
“中圣”用三国徐邈“中圣人”的典故，是醉酒的委婉说法；“频”写其常醉。“醉月”把饮酒与赏月结合，表现孟浩然诗酒风流的雅趣。
'中圣' alludes to the Three Kingdoms scholar Xu Miao's euphemism for being drunk; 'often' shows how frequently he drank. 'Drunk with the moon' joins wine and moonlight, expressing Meng's refined, poetic pleasures.
迷花不事君，
“迷花”写其沉醉于自然花草之美；“不事君”即不愿出仕侍君。此句与上句对仗，以“花”“月”等意象烘托孟浩然寄情山水、不慕权贵的隐士形象。
'Charmed by flowers' describes his immersion in natural beauty; 'not serving the ruler' means he would not take office. Parallel to the previous line, the flower and moon imagery shapes Meng as a recluse devoted to landscape and free of political ambition.
高山安可仰，
化用《诗经·小雅》“高山仰止”之意，以高山比喻孟浩然崇高的人格与诗艺。“安可仰”表面说难以企及，实则极尽推崇，是反问中见赞美的写法。
This echoes the Book of Songs line 'the high mountain I look up to,' using the mountain as a metaphor for Meng's lofty character and art. 'How can one look up to it?' seems to say it is unreachable, but the rhetorical question is actually the highest praise.
徒此揖清芬，
“揖”是拱手行礼，表示敬敬；“清芬”本指清香，比喻高洁的品格与风范。“徒此”有只能如此、难以追随之意，收束全诗，表达由衷仰慕。
'揖' is a respectful bow with hands clasped; 'clear fragrance' literally means fresh scent, metaphorically denoting noble character. 'Only here' suggests the poet can do no more than bow, closing the poem with sincere admiration.
今日赏析
李白与孟浩然交谊深厚，此诗以直抒胸臆的方式表达对孟浩然的敬慕。孟浩然终身大部分时间隐居不仕，诗风清淡自然，人格超逸；李白以“风流天下闻”赞其名声，以“高山”喻其不可企及。此诗大约作于李白游襄阳访孟浩然时，语言率真豪爽，体现了李白赠友诗的典型风格。
Li Bai and Meng Haoran were close friends, and this poem directly expresses Li Bai's admiration for him. Meng Haoran spent most of his life in reclusion rather than office, and his poetry and character were known for their fresh simplicity and detachment. Li Bai praises his wide fame as 'known throughout the world' and uses the image of a high mountain to suggest his unreachable nobility. The poem was likely written when Li Bai visited Meng Haoran in Xiangyang, and its frank, spirited language typifies Li Bai's poems to friends.
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