滕王阁诗
滕王高阁临江渚，
佩玉鸣鸾罢歌舞。
画栋朝飞南浦云，
珠帘暮卷西山雨。
闲云潭影日悠悠，
物换星移几度秋。
阁中帝子今何在？
槛外长江空自流。
The lofty tower of Prince Teng stands by the river shore,
Its jade and phoenix bells have ceased their song and dance of yore.
At dawn the painted beams fly with South Bank clouds above,
At dusk the pearly curtain rolls up West Mountain rain thereof.
By pool the idle clouds and shadows drift through days so slow;
Things change, stars shift—how many autumns come and go?
Where is the prince who dwelt within this tower today?
Beyond the rails the long river flows in vain away.
逐句注释
滕王高阁临江渚，
开篇点明地点与建筑。“滕王高阁”指滕王阁，唐高祖之子李元婴所建；“江渚”指赣江中的小洲。高阁临水，气象开阔，为下文今昔盛衰作铺垫。
The opening names the place and building: Prince Teng's lofty pavilion overlooks the river islet. The broad waterside setting creates a spacious scene and foreshadows the contrast between past glory and present desolation.
佩玉鸣鸾罢歌舞。
“佩玉”“鸣鸾”指旧日贵人服饰与车驾鸾铃，代指昔日宴游盛况；“罢”字陡转，说明繁华已歇。以声写静，形成今昔对照。
Jade pendants and phoenix bells stand for the noble retinues and carriages of old; "ceased" marks a sudden turn, showing past revelry is gone. Sound imagery turns into silence, sharpening past-present contrast.
画栋朝飞南浦云，
“画栋”指彩绘的屋梁；“南浦”用《九歌·河伯》“送美人兮南浦”典故，常指送别之地。早晨云霞飞绕画栋，以动写静，楼阁仿佛与云共飞。
Painted beams are the richly decorated roof beams; "South Bank" echoes the classical motif of farewell. Morning clouds seem to fly around the beams, animating the still pavilion.
珠帘暮卷西山雨。
“珠帘”指珍珠缀饰的帘幕；“西山”指南昌西山。傍晚珠帘卷起，西山雨来。与上句对仗，朝暮、云雨相对，写滕王阁高峻空濛。
Pearly curtain is a bead-decorated blind; West Mountain is near Nanchang. At dusk the curtain is rolled up as rain comes from the mountain. Parallel with previous line: dawn/dusk, cloud/rain, height and mist.
闲云潭影日悠悠，
“闲云”“潭影”写云影倒映深潭；“悠悠”既写时间漫长，也写心境空茫。由景入情，写时光流逝。
Idle clouds and pool reflections; "slow/vast" describes both long passing time and a vacant mood. The scene shifts toward emotion and the passage of time.
物换星移几度秋。
“物换星移”指景物变换、星辰推移，喻时光流逝、世事变迁；“几度秋”以秋代年，加重沧桑感。
Things change and stars shift means seasons and time move on; "how many autumns" uses autumn for years, deepening the sense of vicissitude.
阁中帝子今何在？
“帝子”指滕王李元婴。设问句直指人事无常：昔日建阁之人如今何在？由景及人，发出盛衰无常之叹。
"Prince" refers to Li Yuanying, Prince Teng. The rhetorical question asks where the tower's builder is now, turning from scene to human fate and lamenting impermanence.
槛外长江空自流。
“槛”指栏杆；“空自流”写长江依旧奔流，不以人事兴废为意。以景结情，余韵悠长，与李白“唯见长江天际流”异曲同工。
"Rail" is the balustrade; "flows in vain" means the long river still runs on, indifferent to human rise and fall. Ending with scenery leaves lingering sorrow, akin to Li Bai's "only the long river flows to the horizon."
今日赏析
王勃《滕王阁诗》一般认为作于唐高宗上元二年（675）或上元三年，王勃南下交趾探望父亲，途经洪州（今南昌），适逢都督阎伯屿重修滕王阁并宴集。王勃即席赋《滕王阁序》并附此诗，由滕王阁昔日繁华写到今日空寂，抒发盛衰无常、时光流逝之感。
The poem is traditionally dated to 675 or 676, when Wang Bo was traveling south to Jiaozhi to visit his father. Passing through Hongzhou (modern Nanchang), he attended a banquet held by Governor Yan Boyu to celebrate the rebuilding of Prince Teng's Pavilion. He composed "Prefaces to the Pavilion of Prince Teng" and appended this poem, moving from past glory to present emptiness and expressing vicissitude and the passage of time.
每日唐诗精选唐代经典作品，提供原文、英文翻译、逐句注释与赏析，适合古诗词学习、双语阅读和日常诗意积累。