采莲曲二首·其二
荷叶罗裙一色裁，
芙蓉向脸两边开。
乱入池中看不见，
闻歌始觉有人来。
Her silken skirt and lotus leaves share one green dye;
Lotus blossoms part on both cheeks as she paddles by.
She slips among the pool's flowers, lost to the eye;
Only when her song is heard do we know she's nigh.
逐句注释
荷叶罗裙一色裁，
罗裙：轻软丝织的裙子。一色：同一种颜色。裁：裁剪、制作。荷叶与少女的罗裙仿佛用同一种碧绿裁成，写采莲女衣着与自然环境浑然一体，运用了比喻和想象，突出人景相融。
Lotus leaves and her silk skirt seem cut from the same green. The line uses metaphor and imagination to show the girl blending perfectly into her natural surroundings.
芙蓉向脸两边开。
芙蓉：荷花。向脸：朝着少女的脸。两边：指脸的两侧，也指船的两旁。荷花在少女脸庞两边盛开，以花衬人，人面与花光相映，写出采莲女的青春美丽。
Lotus blooms open on either side facing her face. The flowers set off the girl's beauty, creating a mirroring effect between the human face and the blossoms.
乱入池中看不见，
乱入：混入、融入。池：荷池。因罗裙与荷叶同色、人面与荷花相映，采莲女混入荷塘后难以辨认。此句从视觉上写其消失，为下句听觉转折作铺垫。
She merges into the lotus pond and can no longer be seen. This visual vanishing prepares for the auditory revelation in the next line.
闻歌始觉有人来。
闻歌：听到歌声。始觉：才发觉。来：前来、靠近。不见其人而闻其歌，由歌声方知有人，侧面烘托采莲女的存在与活泼，余韵悠长。
Only upon hearing her song does one realize someone is approaching. Sound reveals what sight cannot, an indirect and lively ending that leaves a lingering charm.
今日赏析
王昌龄《采莲曲二首》大约作于唐玄宗开元年间，可能是诗人任职江宁或游历江南时，见水乡采莲情景而作。第二首写采莲少女与荷塘融为一体，展现江南劳动生活与自然之美，也体现诗人对民歌风调的吸收。
Wang Changling's 'Song of Picking Lotus, Two Poems' was likely written during the Kaiyuan era of Emperor Xuanzong, perhaps while he served in Jiangning or traveled in Jiangnan and observed lotus picking in the watery region. The second poem depicts a lotus-picking girl blending into the lotus pond, celebrating Jiangnan's waterside life and natural beauty while showing the poet's absorption of folk-song style.
每日唐诗精选唐代经典作品，提供原文、英文翻译、逐句注释与赏析，适合古诗词学习、双语阅读和日常诗意积累。