风
解落三秋叶
能开二月花
过江千尺浪
入竹万竿斜
It strips the autumn leaves and makes three months fall,
And calls the early flowers of February all.
Across the river it lifts waves a thousand feet high;
Through bamboo groves ten thousand stalks lean awry.
逐句注释
解落三秋叶
解落：吹落、使脱落。三秋：秋季三个月，亦常指深秋。此句不直写“风”，却以“叶落”显现风的力量，是咏物诗中“托物见形”的写法。
Jieluo means to strip off or cause to fall. Sanqiu refers to the three months of autumn, often suggesting late autumn. The line never names the wind directly; instead, it reveals the wind through falling leaves, a typical object-praise technique of showing the object by its effects.
能开二月花
二月花：早春二月的花。此句与上句对仗：一“落”一“开”，一秋一春，写出风既能摧折又能催生的双重力量。
February flowers refers to blossoms of early spring. This line forms a parallel with the previous one: falling versus opening, autumn versus spring, showing the wind’s double power both to destroy and to bring life.
过江千尺浪
千尺浪：夸张写法，形容风过江面时掀起的巨浪。以“千尺”极言风势之大，使无形的风在江浪中获得壮阔的视觉形象。
A thousand-foot wave is hyperbole describing the huge waves raised when the wind crosses the river. The exaggerated measure conveys the wind’s grandeur and gives the invisible wind a vivid visual form in the river waves.
入竹万竿斜
万竿斜：万竿竹子被风吹得倾斜。此句以竹林的倾斜写风的方向与力度，与上句“过江”相对，一水一竹，一大一细，皆不著“风”字而风态毕现。
Ten thousand stalks lean means countless bamboo stems are bent slanting by the wind. The leaning bamboo grove shows the wind’s direction and force. Paired with the river scene above, one line is broad water, the other dense bamboo; the poem never says “wind,” yet the wind’s presence is fully visible.
今日赏析
李峤是初唐重要诗人，与苏味道并称“苏李”，又与杜审言、崔融、苏味道合称“文章四友”。《风》是一首咏物诗，具体创作年份难以确考。初唐咏物诗讲究体物入微、对仗工整，往往通过自然景物的变化来表现对象的力量与形态。此诗不直接出现“风”字，却从落叶、开花、江浪、竹斜四个角度写出风的作用，体现了咏物诗含蓄而形象的特点。
Li Qiao was an important early Tang poet, known together with Su Weidao as “Su and Li” and grouped with Du Shenyan, Cui Rong, and Su Weidao among the “Four Friends of Letters.” “Wind” is a poem on an object, and its exact date of composition is uncertain. Early Tang object-praise poetry valued close observation and neat parallelism, often revealing an object’s force and form through changes in the natural world. This poem never uses the word “wind,” yet it presents the wind through four angles: falling leaves, opening flowers, river waves, and slanting bamboo, embodying the subtle, image-centered style of Tang object poetry.
每日唐诗精选唐代经典作品，提供原文、英文翻译、逐句注释与赏析，适合古诗词学习、双语阅读和日常诗意积累。